“Paradiso 17, her third work of fiction, is quiet and alert; it is a study in inheritance, in the afterlife of ideology, the way history seeps into every curated idyll. The novel deepens its primary note, the toll of human displacement, until it has an operatic resonance.” — Zain Khalid, author of Brother Alive, for The NYT Book Review
JOIN US for a SPECIAL LITERARY EVENT to celebrate the publication of Hannah Lillith Assadi’s latest novel, to meet the author, and discuss this important new contribution to the conversations of exile, love, loss, and life. Here is a brief synopsis:
Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.
Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.
Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.
Hannah Lillith Assadi is the author of the Women's Prize long-listed novel Paradiso 17 (Knopf 2026), inspired by the life of her late Palestinian father. Her debut novel Sonora (Soho 2017) received the Rosenthal Family Foundation Award from the American Academy of Arts and Letters and was a finalist for the PEN/ Robert W. Bingham Prize. Her second novel The Stars Are Not Yet Bells (Riverhead 2022) was named a New Yorker and NPR best book of 2022. She is also the co-editor of an anthology of the poetry of Mahmoud Darwish, which will be published by Everyman’s Library/ Knopf in November 2026. She teaches fiction at the Columbia University School of the Arts and the Pratt Institute. In 2018, she was named a '5 under 35' honoree by the National Book Foundation.
“Generations are captured here, loss and pain and miraculous attempt at renewal. A beautiful work.” —Nana Kwame Adjei-Brenyah, author of Chain Gang All-Stars